![]() ![]() And the new My Image Style feature makes it possible to shoot in the Intelligent Auto or Scene Selection mode, icons on the touch-sensitive monitor make it easy to directly adjust background bokeh, brightness, and colour tone, as well as select a Creative Look. Based on Sony’s Cinema Line technology, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour to deliver cinematic quality.ġ0 Creative Looks are provided as presets that can be used as they are or customised. AF transition speed determines how quickly autofocus will switch between subjects, while that overall cinematic vibe can be boosted by a 24 fps frame rate and the widescreen Cinemascope aspect ratio (2.35:1) with black bands above and below the image. ‘Looks’ deliver all the natural mid-tones, plus soft colours and smooth highlights that are essential to cinematic look and enhance skin tones, while ‘Moods’ emphasise specific colours. Adding cine looksĪ host of Cinematic Vlog Settings provide an intuitive way to create scenes that look like feature movies by simply choosing an appropriate Look and Mood. The expanded range for stills is 40 to 409600, and the expanded range for movies is 80 to 409600. The standard ISO range extends from 80 to 102400 for both stills and movies. Those upgrades, by the way, are going to be via a free license that launches in June. When upgraded, and using the XAVC S format, up to 10x slow motion with Full HD resolution can be used at 240 fps. When directly replaying video in slow or quick motion in the S&Q mode while using the XAVC S-I format at 60p, a maximum bit rate of 600 Mbps (4:2:2 10-bit, H.264, All-I) delivers excellent image quality. ![]() ![]() Users can shoot 4K60p and can upgrade up to 4K120p through the Creators’ Cloud with smooth 5x slow-motion imagery. This makes the expressive advantages of the full-frame format available for video recording whilst delivering high-resolution 4K footage without moiré or jaggies. High-quality 4K (QFHD) video can be recorded with full-frame readout at 10-bit 4:2:2, without the need for 40 pixel binning. It also contributes significantly to improved AF speed and precision. The high volume of data generated by the image sensor can be processed in real-time, even when shooting 4K (3840 x 2160) footage at 120p. That BIONZ XR image processing engine has up to 8x more processing power than previous generations, all of which boosts high-sensitivity performance, gradation rendering, colour reproduction, low-noise performance, and more. The spec sheet is definitely videocentric. Tl dr? On paper it genuinely look like a bit of a game changer. ![]() Oh, and the company is also billing it as the world’s smallest, lightest, full-frame interchangeable lens vlog camera. Intelligent 3 Capsule Microphone with variable directivity.Product Showcase Setting and one-touch Bokeh Switch.S-Gamut3.Cine/S-Log3 and S-Gamut3/S-Log3.AI-based Auto Framing and Framing Stabiliser.5-axis optical in-body image stabilisation and Dynamic active Mode stabilisation.Cinematic Vlog Setting including S-Cinetone.AI-based Real-time Recognition AF and Tenacious Real-time Tracking.Full-frame back-illuminated CMOS Exmor R sensor with 15+ stops of latitude and high sensitivity.That includes the same 12.1 megapixel CMOS Exmor R sensor that you will find at the heart of the a7s III with 15+ stops of latitude and high sensitivity the latest BIONZ XR image processing engine, and more AI assistance supplied by a dedicated onboard processor than you can shake a good-sized stick at. It is, of course, not entirely new, but the bits and pieces that it is cannibalising from the rest of the company’s range are exactly the ones that you’d want to have repurposed. It’s also loaded it with new features at an aggressive price point of $2200 or equivalent that moves the goal posts for the rest of the field.Īll of which makes it an impressive beast to say the least. While so many of the recent cameras launched onto the market have been trying to eke out smaller and smaller niches by combining existing features in different ways, Sony has firmly struck out for the shoreline marked ‘YouTube’ on the map with this one. It’s fair to say that the new Sony ZV-E1 is probably not a camera that could have been released before. Sony has been chasing the vlogging market hard and with the AI-centric Full Frame ZV-E1 might have come up with the best camera yet aimed at the current crop of video creators. ![]()
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